History of Computer Art

IX. Bibliography

auf Deutsch

• Table of Contents

All abbreviations for texts used in the annotations present first the last name of the author or editor, then – after a colon – the first noun of the title. If the first noun of a title is a part of a designation containing more than one word (like Contextual Art), then the abbreviation includes the designation with all words. If titles present a first name as the first noun then the abbreviation contains first and last name. If titles contain no noun then the first word will be used in the abbreviation. The third part of the abbreviation constitutes the year of the publication.
Another abbreviation: t.o.f.p. = title of the first print in the author´s language.

Aarseth, Espen J.: Allegories of Space. The Question of Spatiality in Computer Games (2004). In: Eskelinen, Markku Markku/Koskimaa, Raine (ed.): CyberText Yearbook 2000. Research Centre for Contemporary Culture, University of Jyväskylä. Jyväskylä 2001, p.152-171. New in: URL: http://cybertext.hum.jyu.fi/articles/129.pdf (9/8/2012).
Aarseth, Espen J.: Cybertext. Perspectives on Ergodic Literature. Baltimore 1997.
Ackers, Susanne/Arns, Inke/Hunger, Francis/Lillemose, Jacob (ed.): The Hartware Guide to Irational. Cat. of exhib. PHOENIX Halle Dortmund 2006/Frankfurt am Main 2006.
Adams, Dan: The State of the RTS (2006). In: URL: http://www.ign.com/ articles/ 2006/ 04/ 08/ the-state-of-the-rts (9/8/2012).
Adrian X, Robert: Elektronischer Raum. In: Kunstforum. Vol.103. September/Oktober 1989, p.142-147. New in: URL: http://90.146.8.18/ de/ archiv_files/ 19891/ 1989_142.pdf (2/24/2012).
Adrian X, Robert: Interview. In: Gehrmann, Lucas (ed.): Robert Adrian X. Cat. of exhib. Kunsthalle Wien 2001, p.46-67.
Adrian X, Robert: Die Kunst der Kommunikation/Communicating/L´Art de Communiquer. In: Grundmann, Heidi (ed.): Art Telecommunication. Vancouver/Vienna 1984, p.77-80.
Adrian X, Robert: Kunst und Telekommunikation 1979-1986. Die Pionierzeit. In: Springer. Vol.1/Nr. 1. April 1995, p.10s. (in English: Art and Telecommunication 1979-1986. The Pioneer Years. In: URL: http://telematic.walkerart.org/ overview/ overview_adrian.html (5/22/2012)).
Adrian X, Robert: Die Welt in 24 Stunden/The World in 24 Hours. In: Stadlmayr, Horst/Leopoldseder, Hannes (ed.): Ars Electronica im Rahmen des Internationalen Brucknerfestivals Linz. Cat. of exhib. Brucknerhaus. Linz 1982, p.145-157. New in: URL: http://90.146.8.18/ en/ archiv_files/ 19821/ E1982_155.pdf (5/24/2012).
Ahl, David H.: BASIC Computer Games. New York 1978. New in: URL: http://atariarchives.org/ basicgames/ (9/8/2012).
Ahl, David H.: Big Computer Games. Morris Plains/New Jersey 1984. New in: URL: http://www.atariarchives.org/ bigcomputergames/ (9/8/2012).
Ahl, David H.: Dukedom. In: Id.: Big Computer Games. Morris Plains/New Jersey 1984, p.11-16. New in: URL: http://www.atariarchives.org/ bigcomputergames/ showpage.php? page=11 (9/8/2012).
Ahl, David H.: Hammurabi. In: Id. (ed.): BASIC Computer Games. New York 1978, p.78s. New in: URL: http://atariarchives.org/ basicgames/ showpage.php ?page=78 (9/8/2012).
Alsleben, Kurd: Aesthetische Redundanz. Abhandlungen über die artistischen Mittel der bildenden Kunst. Quickborn 1962.
Alsleben, Kurd/Eske, Antje/Idensen, Heiko (ed.): Felix Aestheticus. Konversationskunst. Cat. of exhib. Zentrum für Kunst und Medientechnologie (ZKM)/Center for Arts and Media. Karlsruhe/Norderstedt 2011.
Althusser, Louis: For Marx (t.o.f.p. Pour Marx. Paris 1965). London 1969.
Anfam, David: Abstract Expressionism. London 1990.
The Architecture Machine Group: Seek 1969-70. In: Burnham, Jack: Software – Information Technology. Its New Meaning for Art. Cat. of exhib. Jewish Museum. New York 1970. New in: Montfort, Nick/Wardrip-Fruin, Noah (ed.): The New Media Reader. Cambridge/Massachusetts 2003, p.252s. New in: URL: http://www.manovich.net/ vis242_winter_2006/ New%20Media%20Reader%20all/ 17-software-03.pdf (10/9/2011).
Arns, Inke: Interaction, Participation, Networking. Art and Telecommunication. In: Daniels, Dieter/Frieling, Rudolf (ed.): Media Art Net 1: Survey of Media Art. Vienna and New York 2004. URL: http://www.medienkunstnetz.de /themes/ overview_of_media_art/ communication/ scroll/ (7/28/2013).
Arns, Inke: Netzkulturen. Hamburg 2002.
Arns, Inke: _Readme – Own, Be Owned Or Remain Invisible. In: Ackers, Susanne/Arns, Inke/Hunger, Francis/Lillemose, Jacob (ed.): The Hartware Guide to Irational. Cat. of exhib. PHOENIX Halle Dortmund 2006/Frankfurt am Main 2006, p.12,80.
Arns, Inke: This is not a toy war. Politischer Aktivismus in Zeiten des Internet. In: Münker, Stefan/Roesler, Alexander (ed.): Praxis Internet. Kulturtechniken der vernetzten Welt. Frankfurt am Main 2002, p.37-60. New in: URL: http://www.projects.v2.nl/ ~arns/ Texts/ Media/ notoywar.html (8/1/2012).
Art & LanguageNY (Ian Burn, Michael Corris, Preston Heller, Andrew Menard, Mel Ramsden, Terry Smith): Blurting in A & L: an index of blurts and their concatenation (the Handbook)...New York/Halifax 1973.
Ascott, Roy: Art and Telematics. In: Grundmann, Heidi (ed.): Art Telecommunication. Vancouver/Vienna 1984, p.25-58.
Ascott, Roy/Loeffler, Carl Eugene (ed.): Connectivity: Art and Interactive Telecommunications. In: Leonardo. Vol.24/No.2. Cambridge/Massachusetts 1991, p.113-240.
Ascott, Roy/White, Norman et al.: La Plissure du Texte (1983). In: URL: http://www.normill.ca/ Text/ plissure.txt (5/24/2012).
Ashby, William Ross: Design for a Brain. The Origin of Adaptive Behavior. New York 1952/Second Revised Edition 1960. New in: URL: http://www.archive.org/ download/ designforbrainor00ashb/ designforbrainor00ashb.pdf (9/30/2011).
Ashby, William Ross: Homeostasis. In: Foerster, Heinz von/Mead, Margaret/Teuber, Hans Lukas (ed.): Cybernetics. Circular Causal and Feedback Mechanisms in Biological and Social Systems. Transaction of the Ninth Conference. March 20-21, 1952, New York, N.Y. Josiah Macy, JR. Foundation. New York 1952, p.73-108. New in: Pias, Claus (ed.): Cybernetics – Kybernetik. The Macy-Conferences 1946-1953. Volume/Band I: Transactions/Protokolle. Zürich und Berlin 2003, p.593-619.
Ashby, William Ross: An Introduction to Cybernetics. London 1956/Second Impression 1957. New in: URL: http://pespmc1.vub.ac.be/ books/ IntroCyb.pdf (9/30/2011).
Ashby, William Ross: Requisite Variety and Its Implications for the Control of Complex Systems. In: Cybernetica. Vol. 1/Nr.2. 1958, p.83-99. URL: http://pcp.vub.ac.be/ Books/ AshbyReqVar.pdf (9/30/2011).
Ashley, Robert: Perfect Lives. Champaign, London und Dublin 1991.
Atkins, Barry/Krzywinska, Tanya (ed.): Videogame, Player, Text. Manchester 2007.
Atkinson, Terry/Baldwin: Michael: Some post-war American work and Art-Language: ideological responsiveness. In: Studio International. April 1972, p.164-167.
Augarten, Stan: Bit by Bit. An Illustrated History of Computers. New York 1984.
autonome a.f.r.i.k.a. gruppe/Blissett, Luther/Brünzels, Sonja: Handbuch der Kommunikationsguerilla. Berlin/Hamburg/Göttingen 1997/4th edition 2001.
Auzenne, Valliere Richard: The Visualization Quest. A History of Computer Animation. Cranbury/New Jersey 1994.
Bachleitner, Norbert: Formen digitaler Literatur 2.0 (2010). In: URL: http://www.netzliteratur.net/ bachleitner/ index.html (6/10/2012).
Balestrini, Nanni: Tape Mark I. In: Morando, Sergio (ed.): Almanacco Letterario Bompiani 1962. Le applicazioni dei calcolatori elettronici alle scienze morali e alla letteratura. Milano 1962, p.145-151. New in: URL: http://p-dpa.net/download/almanacco-letterario-bompiani_1962.pdf (9/14/2015). New in English: Higgins, Hanna B./Kahn, Douglas (ed.): Mainframe Experimentalism. Early Computing and the Foundation of the Digital Arts. Berkeley and Los Angeles/California 2012, p.266-274.
Balestrini, Nanni: Tape Mark I. In: Reichardt, Jasia (ed.): Cybernetic Serendipity. The Computer and the Arts. Studio International. Special Issue/Cat. of exhib. Institute of Contemporary Art. London 1968, p.55s. New in: URL: http://www.cibercultura.org.br/ videos/ cybernetic serendipity.pdf (10/4/2011).
Baran, Paul: On Distributed Communication Networks. In: IEEE Transactions on Communication Systems. Vol. CS-12/Nr.1. March 1964, p.1-9. New in: URL: http://www.cs.ucla.edu/ classes/ cs217/ Baran64.pdf (5/20/2012).
Baran, Paul: On Distributed Communications. I. Introduction to Distributed Communication Networks. Memorandum RM-3420-PR. Rand Corporation. Santa Monica/California 1964. New in: URL: http://www.rand.org/ content/ dam/ rand/ pubs/ research_memoranda/ 2006/ RM3420.pdf (5/20/2012).
Baran, Paul: On Distributed Communications. V. History, Alternative Approaches, and Comparisons. Memorandum RM-3097-PR. Rand Corporation. Santa Monica/California 1964. New in: URL: http://www.rand.org/ content/ dam/ rand/ pubs/ research_memoranda/ 2008/ RM3097.pdf (6/2/2012).
Barbrook, Richard/Cameron, Andy: Californian Ideology. In: Science as Culture. Vol. 6/Nr.26. 1996. Part 1, p.44-72. New in: URL: http://www.imaginaryfutures.net/ 2007/ 04/ 17/ the-californian-ideology-2/ (5/21/2012).
Bardini, Thierry: Bootstrapping. Douglas Engelbart, Coevolution, and the Origins of Personal Computing. Stanford/California 2000.
Barlow, John Perry: A Cyberspace Independence Declaration (1996). In: URL: https://w2.eff.org/ Censorship/ Internet_censorship_bills/ barlow_0296.declaration (5/21/2012).
Barron, Steve: Dire Straits´ Money for Nothing. In: Promo. July 2006, p.20s. New in: URL: http://www.steve-barron.com/ pdfs/ promo-magazine.pdf (3/25/2012).
Bartels, Klaus/Thon, Jan-Noël Thon (ed.): Computer/Spiel/Räume. Materialien zur Einführung in die Computer Game Studies. Hamburger Hefte zur Medienkultur. Nr.5/2007, p.8-28. New in: URL: http://www.slm.uni-hamburg.de/ imk/ HamburgerHefte/ HamburgerHeft_5.pdf (9/8/2012).
Baudrillard, Jean: Agonie des Realen. Berlin 1978.
Baudrillard, Jean: The Ecstasy of Communication. In: Foster, Hal (ed.): The Anti-Aesthetic. Essays on Postmodern Culture. Seattle/Washington 1983, p. 126-134.
Baudrillard, Jean: Simulacres et Simulations. Paris 1981. New in English ("Simulacra and Simulations". Ann Arbor/Michigan 1994) in: URL: http://www.egs.edu/ faculty/ jean-baudrillard/ articles/ simulacra-and-simulations-i-the-precession-of-simulacra/ (2/4/2012).
Baudrillard, Jean: Videowelt und fraktales Subjekt. In: Hattinger, Gottfried/Weibel, Peter (ed.): Ars Electronica 1988: Kunst der Szene. Kat. Ausst. Brucknerhaus Linz. Linz 1988, p.88s. New in Englisch with the title "Video World and Fractal Subject" in: URL: http://90.146.8.18/ en/ archiv_files/ 19881/ E1988_048C.pdf (7/28/2013).
Bauer, René: Der Intertext im Zeitalter seiner digitalen Realisierung. Vom impliziten zum expliziten und algorithmischen Intertext. Die Möglichkeiten neuer kollaborativer, konkreativer und kontextualisierender Aufschreibesysteme. Dissertation Deutsches Seminar der Universität Zürich 2009. In: URL: http://www.netzliteratur.net/ bauer/ Intertext.pdf (6/17/2012).
Bauknecht, Kurt/Brauer, Wilfried/Mück, Thomas A. (ed.): Informatik 2001. Wirtschaft und Wissenschaft in der Network Economy – Visionen und Wirklichkeit. Tagungsband der GI (Gesellschaft für Informatik e.V.)/OCG Jahrestagung 2001 (25th-28th September 2001, Universität Wien). Vol.II.
Baumgärtel, Tilman: Browserkunst statt Browserkrieg. In: Kuni, Verena (ed.): netz.kunst. Jahrbuch ´98/´99. Institut für moderne Kunst Nürnberg. Nuremberg 1999, p.88 - 91.
Baumgärtel, Tilman: Immaterialien. Aus der Vor- und Frühgeschichte der Netzkunst. In: Telepolis. 6/26/1997. URL: http://www.heise.de/ tp/ artikel/ 6/ 6151/1.html (5/4/2012).
Baumgärtel, Tilman: Das Internet als imaginäres Museum. WZB Discussion Paper FS II 98-110. Wissenschaftszentrum Berlin 1998. In: URL: http://duplox.wzb.eu/ texte/ tb/ (5/25/2012).
Baumgärtel, Tilman: Interview mit dem kanadischen Telekommunikations-Pionier Robert Adrian X (1997). In: URL: http://www.heise.de/ tp/ artikel/ 6/ 6181/1.html (5/22/2012).
Baumgärtel, Tilman: [net.art]. Materialien zur Netzkunst. Nuremberg 1999.
Baumgärtel, Tilman: [net.art 2.0]. Neue Materialien zur Netzkunst/New Materials towards Net Art. Nuremberg 2001.
Baumgärtel, Tilman/BüroFriedrich (ed.): Install.exe Jodi. Cat. of exhib. Basler Forum für Neue Medien [plug in]. Basel 2002.
Beck, Stephen: Beck Direct Video Synthesizer. Lecture Berkeley Art Museum, Berkeley/California 2000. In: URL: http://people.wcsu.edu/ mccarneyh/fva/B/ BeckDirectVideo.html (12/17/2011).
Beck, Stephen: Direct Video: Electronic Artform for Color Television (undated). In: URL: http://www.experimentaltvcenter.org/ direct-video-electronic-artform-color-television-0 (12/17/2011).
Beck, Stephen: Illuminated Music (undated). In: URL: http://www.stevebeck.tv/ ill.htm (12/17/2011).
Beckstette, Sven: Produktive Bildstörung (2009). In: URL: http://www.artnet.de/ magazine/ das-informel-als-geburtshelfer-der-medienkunst/ (11/21/2011).
Beeren, Wim (ed.): Sonsbeek `71. Cat. of exhib. Sonsbeek buiten te perken. Deel 1. Sonsbeek 1971.
Bell, Alex G.: Games Playing with Computers. London 1972. New in: URL: http://www.chilton-computing.org.uk/ acl/ literature/ books/ gamesplaying/overview.htm (8/31/2012).
Benayoun, Maurice/Barrière: World Skin. In: Leopoldseder, Hannes/Schöpf, Christine (ed.): Cyberarts 98. International Compendium Prix Ars Electronica 1998. Oberösterreichischer Rundfunk. Linz/Vienna 1998, p.70-75.
Benedikt, Michael (ed.): Cyberspace. First Steps. Cambridge/Massachusetts 1991.
Bense, Max: Aesthetica. Einführung in die neue Aesthetik. Baden-Baden 1965/second extended edition 1982.
Bense, Max: Der Begriff der Information. Hauptprobleme der Informationstheorie. Eine Einführung. In: Saarländischer Rundfunk Saarbrücken. 12/8/1963. New in: Id.: Radiotexte. Essays, Vorträge, Hörspiele. Heidelberg 2000, p.141-152.
Bense, Max: Einführung in die Informationsästhetik (1965). In: Ronge, Hans (ed.): Kunst und Kybernetik. Ein Bericht über drei Kunsterziehertagungen. Recklinghausen 1965 1966 1967. Cologne 1968, p.28-41.
Bense, Max: Einführung in die informationstheoretische Ästhetik. Grundlegung und Anwendung in der Texttheorie. Reinbek bei Hamburg 1969.
Bense, Max: Informationstheorie und Ästhetik (1963). In: RIAS Berlin, Abteilung Funkuniversität. 10/28/1963. New in: Id.: Radiotexte. Essays, Vorträge, Hörspiele. Heidelberg 2000, p.131-140.
Bense, Max: Radiotexte. Essays, Vorträge, Hörspiele. Heidelberg 2000.
Bensinger, Charles: The Video Guide. Second edition Santa Barbara/California 1981. New in: URL: http://videopreservation.conservation-us.org/ vid_guide/ video_guide.pdf (1/7/2012).
Benthall, Jonathan: Edward Ihnatowicz´s Senster. Technology and Art 30. In: Studio International. November 1971, p.174. New in: URL: http://www.senster.com/ ihnatowicz/ articles/ SINov71.jpg (10/7/2011).
Berners-Lee, Tim: Weaving the Web. The Original Design and Ultimate Destiny of the World WideWeb by Its Inventor. San Francisco 1999.
Berners-Lee, Tim: The WorldWideWeb Browser (undated). In: URL: http://www.w3.org/People/Berners-Lee/WorldWideWeb.html (7/28/2012).
Berners-Lee, Tim/Cailliau, Robert: WorldWideWeb. Proposal for a HyperText Project (1990). In: URL: http://www.w3.org/ Proposal.html (7/28/2012).
Berners-Lee, Tim/Connolly, Dan: Hypertext Markup Language – 2.0 (1995). In: URL: http://tools.ietf.org/ html/ rfc1866 (3/2/2014).
Berry, Josephine: The Thematics of Site-Specific Art on the Internet. Thesis Faculty of Arts. University of Manchester. Manchester 2001. In: URL: http://www.metamute.org/ sites/ www.metamute.org/ files/ thesis_final_0.doc (8/16/2012).
Betancourt, Michel: The History of Motion Graphics. From Avant-Garde to Industry in the United States. Rockville/Maryland 2013.
Biggs, Simon: Introduction [to "The Great Wall of China", 1996]. In: URL: http://www.littlepig.org.uk/ wall/ greatwall.htm (12/6/2012).
Birkhoff, George David: Aesthetic Measure. Cambridge/Massachusetts 1933.
Bittanti, Matteo (ed.): Civilization: Storie Virtuali, Fantasie Reali. Milan 2005.
Blase, Christoph: Street Smarts. In: Artforum. July 1997, p.29.
Blinn, James Frederick: Simulation of Wrinkled Surfaces. In: Proceedings of SIGGRAPH `77. Computer Graphics. Vol.12/Issue 3. August 1978, p.286-292. New in: URL: http://research.microsoft.com/ pubs/73939/ p286-blinn.pdf (1/23/2012).
Blinn, James Frederick/Newell, Martin E.: Texture and Reflection in Computer Generated Images. In: Communications of the ACM (Association for Computing Machinery). October 1976, p.542-547. New in: URL: http://research.microsoft.com/ pubs/ 73935/ p542-blinn.pdf (4/6/2012).
Block, Friedrich W./Heibach, Christiane/Wenz, Karin (ed.): p0es1s. Ästhetik digitaler Poesie/The Aesthetics of Digital Poetry. Cat. of exhib. Kulturforum Potsdamer Platz. Berlin/Ostfildern-Ruit 2004.
Bluma, Lars: Norbert Wiener und die Entstehung der Kybernetik im Zweiten Weltkrieg. Eine historische Fallstudie zur Verbindung von Wissenschaft, Technik und Gesellschaft. Dissertation Fakultät für Geschichtswissenschaft. Ruhr-Universität Bochum. Bochum 2004/Münster 2005.
Bódy, Veruschka und Gábor (ed.): Video in Kunst und Alltag. Vom kommerziellen zum kulturellen Videoclip. Cologne 1986.
Bois, Yve-Alain/Cowart, Jack/Pacquement, Alfred: Ellsworth Kelly. Die Jahre in Frankreich 1948-1954. Cat. of exhib. Westfälisches Landesmuseum für Kunst und Kulturgeschichte. Münster 1992.
Bolter, Jay David: Writing Space. Computers, Hypertext, and the Remediation of Print. Mahwah/New Jersey 1991/second edition 2001.
Bolter, Jay David/Grusin, Richard: Remediation. Understanding New Media. Cambrige/Massachusetts 2000.
Bolter, Jay David/Joyce, Michael: Hypertext and Creative Writing. In: HYPERTEXT '87. Proceedings of the ACM (Association for Computing Machinery) Conference on Hypertext. New York 1987, p.41-50.
Bonacic, Vladimir: Mensch, Kunst, Wissenschaft – Ein Weg zur Kunst. In: Franke, Herbert W./Jäger, Gottfried: Apparative Kunst. Vom Kaleidoskop zum Computer. Cologne 1973, p.214-217.
Bootz, Philippe: Les Basiques: la littérature numérique. In: Leonardo/OLATS. Décembre 2006. URL: http://www.olats.org/ livresetudes/ basiques/ litteraturenumerique/ basiquesLN.php (6/27/2012).
Borchers, Detlef: Vor 50 Jahren fing alles an: das erste "Elektronenhirn" in Deutschland (2001). In: URL: http://www.heise.de/ newsticker/ meldung/ Vor-50-Jahren-fing-alles-an- das-erste-Elektronenhirn-in- Deutschland-51722.html (10/2/2012).
Borries, Friedrich von/Walz, Steffen P./Böttger, Matthias (ed.): Space Time Play. Computer Games, Architecture and Urbanism: The Next Level. Basel 2007.
Botz, Daniel: Kunst, Code und Maschine. Die Ästhetik der Computer-Demoszene. Bielefeld 2011.
Bowery, James Allan: Spasim (1974). The First First-Person-Shooter 3D Multiplayer Networked Game. New in: URL: http://web.archive.org/ web/ 20071203093009/ http://www.geocities.com/ jim_bowery/ spasim.html (9/5/2012).
Brand, Stewart: For God´s Sake, Margaret. In: CoEvolutionary Quarterly. Issue No.10. June 1976, p.32-44. New in: URL: http://www.oikos.org/ forgod.htm (9/29/2011).
Brand, Stewart: Whole Earth Catalog. Access to Tools. Fall 1968. Menlo Park/California 1968. New in: URL: http://www.wholeearth.com/ issue-electronic-edition.php?iss=1010 (5/21/2012).
Brand, Stewart: Spacewar. In: Rolling Stone. 7th December 1972. New in: URL: http://wheels.org/ spacewar/ stone/ rolling_stone.html (9/2/2012).
Braun, Reinhard: Robert Adrian X. One has to slide off into some other territory (Man muss in ein anderes Gebiet abgleiten). In: Gehrmann, Lucas (ed.): Robert Adrian X. Cat. of exhib. Kunsthalle Wien 2001, p.90-123.
Braun, Reinhard: Video, Fernsehen, Telekommunikation – Die frühen Projekte/Video. TV. Telecommunication – The Early Projects. In: Breitwieser, Sabine (ed.): Re-Play. Anfänge internationaler Medienkunst in Österreich. Cologne 2000, p.21-69, 401-438.
Breitwieser, Sabine (ed.): Re-Play. Anfänge internationaler Medienkunst in Österreich. Cologne 2000.
Bricken, Meredith: Virtual Worlds. No Interface to Design. In: Benedikt, Michael (ed.): Cyberspace. First Steps. Cambridge/Massachusetts 1991, p.363-382.
Brigadoon, Alex: The Eidolon. In: URL: http://www.zzap64.co.uk/ zzap10/ eidolon.html (9/6/2012).
Broeker, Holger (ed.): Gary Hill. Selected Works and Catalogue Raisonné. Cat. of exhib. Kunstmuseum Wolfsburg/Cologne 2002.
Bronowski, Jacob: Exhibition of Science. Festival of Britain 1951. Science Museum. London 1951. Excerpts in: URL: http://www.goodeveca.net/ science1951/ guide.html (8/30/2012); http://cyberneticzoo.com/ ?p=249 (8/30/2012).
Bronowski, Jacob: The Story the Exhibition Tells. In: Id.: Exhibition of Science. Festival of Britain 1951. Science Museum. London 1951. New in: URL: http://www.goodeveca.net/ science1951/ sg_story.html (8/30/2012).
Brown, Paul/Gere, Charlie/Lambert, Nicholas/Mason, Catherine (ed.): White Heat Cold Logic. British Computer Art 1960-1980. Cambridge/Massachusetts 2008.
Buderer, Hans-Jürgen: Kinetische Kunst. Konzeptionen von Bewegung und Raum. Worms 1992.
Bülow, Ralf: SINN IST FERN – Wie die Computer dichten lernten/YOURS BEAUTIFULLY – How Computers Became Poets. In: Herzogenrath, Wulf/Nierhoff-Wielk, Barbara (ed.): Ex Machina – Frühe Computergrafik bis 1979. Die Sammlungen Franke und weitere Stiftungen in der Kunsthalle Bremen. Herbert W. Franke zum 80. Geburtstag. Cat. of exhib. Kunsthalle Bremen 2007, p.134-172.
Bürger, Peter: Theorie der Avantgarde. Frankfurt a. M. 1974.
Büscher, Barbara/Herrmann, Hans-Christian von/Hoffmann, Christoph (ed.): Ästhetik als Programm. Max Bense/Daten und Streuungen. In: Kaleidoskopien. Heft 5/2004.
Bunge, Mario: Social Science Under Debate. A Philosophical Debate. Toronto 1998.
Bunz, Mercedes: Vom Speicher zum Verteiler – Die Geschichte des Internet. Berlin 2008/second edition 2009.
Burnham, Jack: The Aesthetics of Intelligent Systems. In: Fry, Edward F. (ed.): On the Future of Art. New York 1970/third printing 1973, p.95-122.
Burnham, Jack: Beyond Modern Sculpture. The Effects of Science and Technology on the Sculpture of this Century. New York 1968.
Burnham, Jack: Software – Information Technology. Its New Meaning for Art. Cat. of exhib. Jewish Museum. New York 1970. New in: http://monoskop.org/ images/ 3/ 31/ Software_Information_Technology_ Its_New_Meaning_for_Art_ catalogue.pdf (10/6/2012).
Burnham, Jack: Systems Esthetics. In: Artforum. Vol.7/Nr.1. September 1968, p.30-35. New in: URL: http://www.arts.ucsb.edu/ faculty/ jevbratt/ readings/ burnham_se.html (10/22/2011).
Burtnyk, Nestor/Wein, Marcelli: Computer-Generated Key-Frame Animation. In: SMPTE (Society of Motion Picture and Television Engineers) Motion Imaging Journal. Vol. 80/No.3. March 1971, p.149-153.
Burtnyk, Nestor/Wein, Marcelli: Computer-Generated Key-Frame Animation. In: Halas, John (ed.): Computer Animation. London 1974, p.38-44.
Burtnyk, Nestor/Wein, Marcelli: Interactive Skeleton Techniques for Enhancing Motion Dynamics in Key Frame Animation. In: Communications of the ACM (Association for Computing Machinery, Inc.). Vol.19/Issue 10. October 1976, p.564-569. New in: URL: http://design.osu.edu/ carlson/ history/ PDFs/ burtnyk-wein.pdf (1/21/2012).
Bush, Vannevar: As We May Think. In: The Atlantic Monthly. July 1945. New in: URL: http://www.theatlantic.com/ magazine/ archive/ 1945/ 07/ as-we-may-think/ 3881/ ?single_page=true (6/7/2012)
Bussy, Pascal: Kraftwerk. Man, Machine and Music. London 1993/Reprint 2006.
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